The fabled “projector” modified amp circuit made famous by players like Blake Mills, Anthony Wilson, Tim Pierce, Dawes, David Ryan Harris, Susan Tedeschi, and more. This particular amplifier features the coveted “Bill Krinard” mod, and is notable for minimal circuit changes and a preference to prioritizing the sound of the amp.

Amp Specs: 1957 Bell and Howell Filmosound 385 Amplifier with Schumacher Transformers (same manufacturer as the Fender Tweed era), a unique 5879 tube and 12AX7s in the preamp section, 6V6GTs and a 5Y3GT tube rectifier in the power section. 15 watts. Rehoused in 2019 into a vintage army ammunition container.

29 studio profiles and 6 direct profiles of varying gain and pedal inclusion. Profiles are dry, but include my preferred effects presets.

Key

Tweed: Recorded using a 1x12 Tweed Cabinet

Modern: Recorded using a 2x12 Cabinet with D65 Speakers

Big: Recorded using a Vintage JBL K130 1x15

Small: Recorded using a Blackface-style 1x10 cabinet

Klon: Clean/Treble Boosted with a Klon KTR

KOT: Overdrive from an Analogman King of Tone

Legal:

Amp brands trademarked by their respective owners and are in no way affiliated with Daniel McLaughlin. The customer is purchasing a license to use these profiles for their own personal and/or professional use. Profiles are not intended for resale or any other unlicensed distribution, free or compensated. Any use of brand names is strictly for comparison and descriptive purposes.